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The earliest exponents of Bharatanatyam were the devadasis
(temple dancers) in south India for worship. It came to be
patronized by the Cholas, the Pandyas, Nayakas, Vijayanagar
rulers and the Marathas. The technique of Bharatanatyam
consists of 64 principles of coordinated hand, foot, face
and body movements which are performed to the accompaniment
of dance syllables, popularly known as bols.
Its format consists of Alarippu (invocation), Jathi Swaram
(note combinations), Shabdam (notes and lyrics), Varnam (a
combination of pure dance and abhinaya), lighter items like
Padams and Javalis (all erotic) and finally the Thillana
(again pure dance).
Bala Saraswathi, Shanta Rao, Mrinalini Sarabahai, Yamini
Krishnamurthy, Kamala, Vijayantimala, Sonal Man Singh,
Samyukta Panigrahi and Rukhmini Devi.
The word Kathak is derived from Katha which means story. It
is a dance-drama in which actors took part.
It is confined mostly to Northern India—Uttar Pradesh,
Rajasthan, the Punjab and Madhya Pradesh. The main centres
are Lucknow, Varanasi, Jaipur and Delhi.
The characteristic features of the Kathak dance are emphasis
on foot work, the swift swirl or chakor of the body followed
by its sudden stillness. The execution of foot work is with
in a time cycle.
The Kathak dance goes through a regular format mostly
concentrating on rhythm, variously called tatkar, paltas,
thoras, amad and parans.
Sitara Devi, Birju Maharaj, Gopi Krishna, Binda Din Maharaj,
Damayanti Joshi, Kalkadin, Aachan Maharaj and Uma Sharma.
It combines music, poetry, mime and drama. This dance-drama
is usually performed in the open and usually lasts the whole
night. The themes are taken from the Ramayana, the
Mahabharata and Hindu mythology. The costumes show a great
variety of colour. The musical instruments are quite simple,
viz., drums and cymbals. The actors put on masks of various
types to represent deities or the demons.
Kunju Kurup, Koppan Nair, Ragini Devi, Shanta Rao, Mrinalini
Sarabhai, Kanak Pele, Rita Ganguly, Krishnan Nair,
Gopinathan and Karunakaren Nair.
This dance belongs to the state of Manipur in north-east
India.
Manipuri is purely a religious dance which is used to invoke
divine blessing. Originally only Shiva and Parvati were
propitiated but later on Krishna and Radha too were
included.
Guru Bipin Sinha, Charu Mathur, Sadhana Bose, Jhaveri
sisters and T. Nadia Singh.
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Odissi : It is
a classical dance of Orissa. The earliest evidence of the
dance are found in the caves of Udaigiri and Khandagiri.
Odissi was greatly influenced by Vaisnavism and the Bhakti
Cult.
Odissi is built on the principle that the human body is
meant to be employed in deflection. The main emphasis is
on the statuesque poses of the dancer.
The format consists of Bhumi Prana, Batu, Pallavi and
lighter items like the Ashtapadi ending in moksha
approximating to the Thillana of the south.
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Famous Exponents :
Mohan Mahapatra, Kelucharan Mahapatra, Pankaj Charan Das,
Hare Krishna Behra, Mayadhar Pant, Madhvi Mudgal, Sharon
Lowen (USA) and Myrta Bravie (Argentina).
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Kuchipudi :
Kuchipudi is a dance-drama of Andhra Pradesh. It is the
corresponding style of the Bhagvatamala Natak of Tamil
Nadu, except the emphasis is on animat (s derived from
Natya Shastra.
It closely resembles Bharatanatyam. However, its movements
are much faster and style is freer.
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Famous Exponents :
Yamini Krishnamurthy, Swapnasundari, Shobha Naidu Raja
and Radha Reddy, Vempati Stayam and Vedanatam Stayam.
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Mohiniattam :
It is a classical dance of Kerala. In format, this is
similar to Bharatanatyam. It is essentially a solo dance.
The first reference to Mohiniattam is found in
Vyavaharamala, composed by Mazhamangalam Narayanan
Nambudiri, assigned to the 16th century AD.
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Famous Exponents :
Vyjayanthimala, Shanta Rao, Roshan Vajifadar, Bharti
Shivaji, Kanak Pele and Hema malini.
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| Maharashtra |
Kathakeertan, Lezim, Dandaniya, Tamasha, Gafa, Dahikala, Lovani, Mauni, Dasavatar or Bohada. |
| Karnataka |
Huttari, Suggi Kunitha, Yakshagana. |
| Kerala |
Kaikottikali, Kaliyattam, Tappatikkali. |
| Tamil Nadu |
Kolattam, Pinnal Kolattam, Kummi, Kavadi, Karagam. |
| Andhra Pradesh |
Ghanta Mardala, Veedhi Natakam, Burrakatha. |
| Orissa |
Aaya, Jadoor, Mudari, Sanchar, Chadya Dandanata, Chhau |
| West Bengal |
Kathi, Chhau, Baul, Kirtan, Jatra, Lama. |
| Assam |
Bihu, Kali Gopal, Khel Gopal, Rakhal, Jhakura, Maha Ras. |
| Punjab |
Giddha (women), Bhangra (man) Ghamaan, Kikli. |
| Jammu & Kashmir |
Rauf, Hikat. |
| Himachal Pradesh |
Jhora, Jhali, Dangi, Mahathu, Jadda, Jhainti, Chharba. |
| Haryana |
Ghodinaach, Saomg, Phag
dance, Daph, Loor, Gugga. |
| Gujarat |
Garba, Dandiya Ras, Lasya, Bhavai. |
| Rajasthan |
Jindad, Ghapaal, Kathputli, Dhela, Maru, Chakri, Gangore, Terahtaal, Khayal, Jhuma. |
| Bihar |
Jatra, Karma, Kathaputli, Bakho, Jhijhiya, Samochakwa, Natna. |
| Uttar Pradesh |
Nautanki, Jhora, Chappeli, Raslila, Kajjri. |
| Nagaland |
Khaiva, Nooralim, Chong,
Lim, Kuminaga, Rengma Chong. |
| Manipur |
Basant Ras, Nat Ras, Maha Ras, Ki Talam, Vyaangta. |
| Jharkhand |
Jhau, Ghumkudia, Karma, Sarhool, Madhi, Jadoor. |
| Uttranchal |
Kazri, Karan. |
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